NOMINATED FOR AN NAACP IMAGE AWARD • An inspiring collection of essays by black women writers, curated by the founder of the popular book club Well-Read Black Girl, on the importance of recognizing ourselves in literature.
“Yes, Well-Read Black Girl is as good as it sounds. . . . [Glory Edim] gathers an all-star cast of contributors—among them Lynn Nottage, Jesmyn Ward, and Gabourey Sidibe.”—O: The Oprah Magazine
Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but not everyone regularly sees themselves in the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all—regardless of gender, race, religion, or ability—have the opportunity to find ourselves in literature.
Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology)
Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation. As she has done with her book club–turned–online community Well-Read Black Girl, in this anthology Glory Edim has created a space in which black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.
Praise for Well-Read Black Girl
“Each essay can be read as a dispatch from the vast and wonderfully complex location that is black girlhood and womanhood. . . . They present literary encounters that may at times seem private and ordinary—hours spent in the children’s section of a public library or in a college classroom—but are no less monumental in their impact.”—The Washington Post
“A wonderful collection of essays.”—Essence
From School Library Journal
An invigorating anthology edited by the founder of book club and online group Well-Read Black Girl. Black women writers across genres and generations share moments of strength, joy, grief, and vulnerability in response to the question, “When did you first see yourself in literature?” Renée Watson’s “Space to Move Around In” explores racism, fatphobia, and the author’s unexpected discovery of Lucille Clifton from a disinterested white teacher, while Dhonielle Clayton muses on coming out, loss, and Black girlhood in “The Need for Kisses.” Teens will gravitate to recurring themes of self-discovery, pursuing creative ambitions, and building rich inner worlds to escape hardship. Some sensitive topics are addressed that may benefit from further discussion, including abortion and abuse. The emotive entries from well-known and emerging creators read quickly but are worth savoring and visiting many times over. Interspersed are “Well-Read Black Girl Recommends” lists including the book club’s 2015-2018 selections, sci-fi and fantasy books, poetry, and more by Black women. Closing out the collection is the eminently helpful “All the Books in this Book” list, which simultaneously compiles all titles referenced and shapes a contemporary Black women’s literary canon for avid readers and the classroom curriculum. VERDICT A stellar example of an accessible text about writing as craft, and reading as transformative practice.-Ashleigh Williams, School Library Journalα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc.
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